![]() This has the effect of nulling the inertia of torque, and damping down the vibrations that are generated by the main platter. How to counteract this? KRONOS' approach was simple and direct: You solve the problem of rotational inertia by rotating a platter of the same composition and mass on the same orbital axis in the opposite direction, at exactly the same speed. The heavier the platter, the greater the torque required, and the greater the inertia generated, thus creating potentially greater vibrations. That is, a platter spinning in a single direction is producing a force generated by the torque of the motor and inertia of the platter. The stability that he mentions is a natural benefit of its counter-rotational design, since the turntable provides an inherent nulling effect when it comes to the potent effects of torque existing in uni-platter designs. This first principle of the KRONOS is the key starting point for appreciating what Louis and company are seeking to do: to absolutely hammer down extraneous vibration, and to maximize isolation in order to deliver the purest signal from the grooves possible. No other turntable can offer its advantages." You can immediately hear the difference dynamic stabilization makes. The result of this design is a suspended platform particularly well isolated from environmental and mechanical noise while maintaining unequalled stability. It is a means by which the vibration inducing torque force, present in suspended turntables is eliminated. We call this the dual platter counter-rotating revolution. "The first thing that distinguishes a Kronos turntable is its two equal mass platters, rotating opposite each other. As he states on the KRONOS Website, there are clear design concepts in play: ![]() Louis has done some real proverbial "out-of-the-box" thinking with the KRONOS Pro. In the case of the KRONOS, we have a very different design configuration: A multi-platform system of modern layered construction with dual counter-rotational platters. It has already garnered a handful of awards from me: Both Audio Oasis! Awards from several shows, as well as one of my Brutus Awards in 2015. His reference standard is the KRONOS Pro LE turntable with its 12" unipivot Black Beauty tonearm, made by André Theriault. ![]() Located in Montreal, Quebec, Canada, Louis Desjardins has moved from obscurity to front-rank eminence in just a few years. KRONOS Audio is the brainchild of Louis Desjardins. Will you hit synergy, or will the creative possibilities fall apart?Įnter the KRONOS Pro LE Turntable…a description There are a lot of roads to the mountaintop some are better than others. It's always just a question of how well a designer does with the set of parameters that he or she chooses. Some turntables are very complex in design and construction others hew to Thoreau's dictum of 'Simplify, simply, simplify.' There are quite a lot of options when it comes to turntables, and every designer has their own set of preferences when it comes to getting the best out of the sacred grooves." Heavy mass-loaded tables with no suspension. (All of these either with or without computer control of speed linearity.) Direct drives. Over the years I've listened to a number of designs. "There are many ways to skin a cat when it comes to turntables. I touched on some of this in my review of the NVS back in Issue 87: Interestingly, each one represents a radically different design approach. One, the Walker Proscenium Black Diamond Level V system, I own one, the Wave Kinetics NVS turntable with Durand Telos 12" Tonearm was a long-time visitor, though no longer here for quite a bit now and one is the subject of this review. This will be the third of three turntable evaluations that I've done over the past year, rounding out what's turned out to be the top three that I've had in my listening room. ![]() From reference-grade DSD DACs to reference-grade turntables. The KRONOS Pro LE Turntable with Black Beauty Tonearm, photograph courtesy of KRONOS Audio.Ī shift of gear, now.
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